241 Royalty-Free Audio Tracks for "Chord Progression"

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Free use.

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

Debussy Pelleas et Melisande prelude opening.

En I-ii7-V7-I-progression, sedan samma med V7 tritonussubstituerad.

Rule of the octave, major scale.

A chord progression illustrating "Tonalität", rather than the strictly diatonic "Tonart".

tonale Quintfallsequenz mit Dreiklängen und Sextakkorden im Wechsel

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

Synth processed experimental drone ambient atmosphere.

Free use.

V of V in C, four-part harmony. From Bach.

Dark 2 chord progression, dense strings.

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

This is a mellow chord progression played on acoustic guitar. Rode nt1-a > mixer > reaper.

A classic chord progression blues recorded with zoom h4.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

It's a short e. Organ loop i made. Nothing all that interesting. The chord progression is:fmaj7 bm7b5 em7 a7 dm7 g7 cmaj7 gm7b5.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

V of V in C, four-part harmony. Reduced from Chopin.

V/V-V-I in C, in four-part harmony.

Four bars guitar composition in e major in sibelius. Arpeggio. Chords progression i - iv - v - i.

Tritone substitution (for V) notated as Italian sixth.

Acdc style chord riff progression type? 105bpm.

Created by Hyacinth (talk) 19:12, 18 January 2011 using Sibelius 5.

V65 of V in C, four-part harmony. Reduced from Chopin.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

I just like that bouncy bubbly kinda distorted guitar sound so i came up with this progression and it reminded me of k-on! i hope you like it and as always if you sample it or do something cool with it let me see!.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

A 130 bpm loop using synths i made in vital. The chord progression is i-iv-vii-v.

Played on juno ds. Used for a transition in a play between scenes.

A dark minor chord progression made with a vintage synth plugin on fl studio.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Melodic synth, chords, bass and pluck. Made with fl studio. This is a loop with a lead, chords, bass and pluck.

Soft, yet simultaneously powerful synth pad/synth string chords. Lightly processed- only minor eqing and reverb touches. Chord progression based in f# major. Free to use as desired.

This is the 3rd of a set of electronic snippets inspired by my recent database course. This is the only piece that does not loop. Created in garageband.

120 bpm rising square arpegiated chords, feel free to use with anything. Synth patch is "square lead" from cubase's "prologue". Chord progression: amin d fmin bflat.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Emotional piano 001 key: d# - bpm 90.

Repetitive melody of piano chord progression laid over organ chorus through audacity.